Article written by Lourd Vijay for OnlineSalsa.com

The salsa scene in Kolkata has been a fairly recent addition to the city’s culture and is ingrained with the presence of Aditya Upadhaya who moved there in October, 2005. Prior to that, few individuals taught moves to Hindi songs and called it Salsa. There was no concept of the salsa rhythm “quick-quick-slow” or the count “1,2,3,- 5,6,7”

My meeting with Aditya happened in Delhi in 2005 approximately at the same time he had moved to Kolkata. On December 9, 2005, Aditya organized the city’s first salsa party ever, which he called “Vive la Salsa Night at Roxy, The Park”. When asked about it, he confesses that it was only him dancing on the floor and luckily a friend from Delhi was visiting so he had someone to dance with.

Slowly over the years the level of dancing has risen, and currently Salsa parties of the “Vive la Salsa Nights” at Venom is usually packed with budding salseras and salseros.

Salsa in the Conservative Kolkota

Salsa nights are organized twice a month at Venom on Wednesdays, and once a month on Sunday at Plush. These parties attract teachers from other schools, but somehow they do not attract their students. One major problem cited about students in Kolkata is that the majority of them are not locals but are in the city for a few months and have to leave soon. These non-locals usually are the ones who stay on longer at the parties and seem to enjoy salsa more.

Kolkata being more conservative may seem different from Delhi, Bombay or Bangalore as far as the comfort level between partners is involved – especially Bachata – and many girls do not join because they feel awkward dancing with strangers, even just Salsa. In spite of this, most students who have stuck on for more than 3 months tend to stay on for long. The largest batches are the intermediate level Salsa dancers. It is observed that Bollywood is what makes the people have fun, which is why most English movies are not released in Kolkata even though they would have in other parts of India.

So today all Kolkata residents are welcome to the world where you can ‘Live Salsa’!

A Growing Salsa Community

The Salsa community in Kolkata has been growing steadily since its inception and the sessions even bring together entire families. They assure genuine and detailed instruction coupled with plenty of opportunities to enhance social life, physical and mental wellness and make new friends while learning how to dance. Students have also had opportunities to perform at, and attend Salsa parties and festivals around the country.

Casa de la Salsa (House of Salsa) was formed in May 2005 and operated through workshops in and around Eastern India. After the success of these initial workshops, the company’s name was changed to Vive la Salsa, ‘Live Salsa’, to better embody the organization’s aim of building a community. Salsa enthusiasts in Kolkata have taken Salsa to new lengths. Some of them have gone all the way to win the first place of the salsa championships at the International Salsa India Fiesta 2005, held in New Delhi, and placed second at the India International Salsa Congress in Bangalore in August 2007.

This is Vive La Salsa’s newest dance routine performed at the Hong Kong Salsa Festival 2010.

List of Salsa Schools

·       Vive la Salsa
·       Vishal Kanoi
·       Salsa India Dance Company
·       Twist n Turns
·       Mambocity
·       Dew drops
·       Tito Dey
·       Suman Mukehrjee
·       Sudipto Kumar

About the Author

Lourd Vijay is the principal Promoter of Latin culture, music and dance in the Asian Region. He recently stood 10th at the “most Popular Entrepreneur of the year 2009” amongst 180 nominees from across the country. An innovative choreographer and a very able instructor, he is the director of the Lourd Vijay’s Dance Studios (www.lvds.in | www.indiasalsa.com ) in India.

Lourd holds a Post-graduate Diploma in Management. He has just launched a project called the Street Kids Street Dance Initiative – a project to impart dance as a vocation to socio-economically challenged individuals. Lourd is also the organiser of The India International Salsa Congress, the All India Salsa Championships, the Chennai Salsa Festival, the Goa Salsa Festival, the Winter Dance Festival, The Spirit of dance festival, Free Spirit Street Arts Festival as well as the Ambassador of the Hong Kong Salsa Festival.

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Written for OnlineSalsa.com by Lourd Vijay

It’s hot! It’s happening! And it’s very, very saucy!! Salsa is hot! No matter when and where, it is spicing things up – film, music, and dance…just about anything.

The Sunny Source of Salsa

Salsa is a dance like no other. Its genesis began in not just one country or origin, each wrapped in its own brand of misty mystery, but through several streams melting into a mix which is still developing and transforming to this date. My gut feeling has always been inclined to the esoteric, and maybe because I wanted to believe it so badly, that when I stumbled upon it during my favorite salsa R&D sessions, my jaw dropped. Here was the proof that I always believed existed.

In some inconceivable way, India, I was convinced, was connected with the origins of Salsa. I guess you are surprised and I dare to say intrigued too. Don’t be! Our country is one having given rise to high societies, religion, free thinkers, and inventions, fueling ancient global developments, which today is what we would say…history.

From Gypsies to African Slaves

So here is what I know…a zillion moons ago, Gypsies from Northern India drifted aimlessly (yes, yes, I know, all gypsies do that!). They camped by rivers and dared unknown trails.

By night, they sat under the stars and let the flames of a blazing fire form the backdrop for a rare dance, which we later recognized as India’s classical dance, the Kathak.

The following is a clip of two young ladies dancing modern Kathak. Notice the hands telling a story. This manner of using the hands when dancing  Kathak evolved into ‘styling’ in Flamenco Dance (- S -).

In time, they danced their way through the portal of the Arabian world to the Iberian peninsular (what we commonly today call Spain), where their dance form merged with that of the local Spanish dance, and the fusion saw a hybrid take shoot – The Flamenco – one of the most fiery dance forms!

The following video is of a ‘Sevillanas Enamorado’, a ‘Love Sevillanas’. Sevillanas is the only ‘Couples Flamenco Dance’ which has been developed by the gypsies in Andalucia, southern Spain. The hands and arms are now used as natural extensions of the dancers’ emotions, and to mimic the movements of bull-fighters (- S -).

In later years, European Colonies set foot on Latin American soil and began work on the plantations. ‘Labour’, as in slaves was imported from Africa to work on the cotton, sugar and coffee fields. Having toiled all day, they amused themselves with song and dance, at the haciendas, in secret.

Eventually their African music intermingled with that of the French, Creole and Spanish, giving rise to completely new forms of music like the Son, Rhumba, Guaracha, Conga, Mambo, Cha-cha-cha, Pachanga and Nueva Timba.

Centuries later, a similar exodus was emerging in the USA, where
New York became a melting pot for Cubans, Puerto Ricans, Dominicans and other Hispanic communities settling down and working in the New York & New Jersey area. Their interaction, spearheaded by Latin illuminaries and revered music enthusiasts such as Machito, Mario Bauza, Dizzy Gillespie and Chano Pozo, gave rise to music such as the Boogaloo, Latin Jazz….and the Salsa.

The following videoclip of Griselle Ponce from New Jersey shows how the ‘Flamenco Hand Styling’, which would become a standard for Latin American Dances,  merged with Afro-Cuban body movements resulting in modern Salsa Arm and Hand Styling (- S -).

Excerpts from my book “Salsa in my Pocket”

About the Author:

Lourd Vijay is the principal Promoter of Latin culture, music and dance in the Asian Region. He recently stood 10th at the “most Popular Entrepreneur of the year 2009” amongst 180 nominees from across the country. An innovative choreographer and a very able instructor, he is the director of the Lourd Vijay’s Dance Studios (www.lvds.in | www.indiasalsa.com ) in India.
Lourd holds a Post-graduate Diploma in Management. He has just launched a project called the Street Kids Street Dance Initiative – a project to impart dance as a vocation to socio-economically challenged individuals. Lourd is also the organiser of The India International Salsa Congress, the All India Salsa Championships, the Chennai Salsa Festival, the Goa Salsa Festival, the Winter Dance Festival, The Spirit of dance festival, Free Spirit Street Arts Festival as well as the Ambassador of the Hong Kong Salsa Festival.

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She stood by the bar
And smiled with an effervescent glint
Her eyes enigmatic
Looking, not giving any hint

She ordered
And waited for her drink
When led, moved smoothly
Like a skater in the rink

When the music started
And upped the beat
Her magic moves
Turned on the heat

Twist, turns and drops
Our chemistry was unprecedented
Her passion was sizzling
First drops of rain on a roof cemented

If beats maketh a ‘music’
And moves maketh a ‘dance’
Wonder what
is this cryptic word ‘Romance’

Salsa, merengue, cha-cha
The music never would stop
The tempo was up
Our HIGH never took a DROP

I woke up in the morning
‘It’s a dream”, I thought as much
But my heart kept pounding
I could still feel the touch…

Sourced from: YK’s blog

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Link: Evolution: Dance dance….

Have had a bad bout of cold cough n fever.. and have been feasting my eyes on some great dance movies..

I watched Dirty Dancing, Dirty Dancing Havana Nights, Dance With Me, Save the Last Dance, The Company, Centre Stage and Flashdance!!!… PHEW!!!!! It was awesome!

I somehow love dancing so much that I can dance non-stop for hours. and I’ve done it. Its exhilerating.

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Link: The Quickstep.

This is the question i have often asked my self especially when i started dancing and teaching it. Incidently i started teaching dance before dancing. A lot of the people i come across with as a result of my profession also ask me the same question.. They say that they often get so involved in getting the moves right that they cant think of anything else. Others insist that though they have the moves right, it gets too mechanical ..

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Link: The Quickstep.

During the process of learning Partner Dancing most people experience a variety of problems. Sometimes these difficulties and anatomy-based, sometimes attitude-based and also sometimes knowledge and skill-based

 

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Link: The Quickstep.

Please pardon my engineering reference to this most common problem. It’s about asking a woman for a dance and then escorting her off the floor back to her seat. Though I think that I am shooting myself in the foot by not running a workshop and charging you people for this information, I will still go ahead and do it. Its my way of trying to show how generous a person I am, which should coerce some dumb people reading it into thinking that I am a nice person and hence join my dance school.

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Link: The Quickstep.

My experience of learning dance, actually dancing and teaching dance has given me some very simplistic but valuable inputs … and very often these are not just limited to the dance floor but can more often than not be applied to life itself.

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